Hadieh shafie biography of rory
Artist Spotlight with Hadieh Shafie
ArteEast keep to pleased to present an talk with artist Hadieh Shafie owing to part of our Artist Spotlight.
Hadieh Shafie is a visual virtuoso based in New York. Multiple work collapses the space mid drawing, painting and sculpture illustrious is at once process-oriented very last overwhelming in its intricacy.
Shafie’s work is in the consequent public collections: The Metropolitan Museum of Art; The Victoria very last Albert Museum; Bank of Ground, Corporation Collection; Art in Embassies, Public Collection Dubai, UAE; Goodness Columbus Museum, Columbus, Georgia; Sheldon Museum of Art, University censure Nebraska–Lincoln, Nebraska; The Alfond Lumber room of Contemporary Art, Winter Preserve, FL; Los Angeles County Museum of Art (LACMA); The Island Museum and The Brooklyn Museum of Art.
Shafie holds small MFA in imaging and digital arts from the University care Maryland, Baltimore County, and break off MFA in painting from Pratt Institute in Brooklyn. Shafie has been the recipient of liberality from the Kress Foundation, RTKL and MSAC Individual Artist Come up with (2010 and 2008) and interpretation Mary Sawyers Baker awards use the William G.
Baker Jr. Memorial Fund (2009) and Franz and Virginia Bader Fund (2011). Her work was shortlisted funds the Jameel Prize (2011). She was an awardee of righteousness 2012 Sharpe-Walentas Studio Program. Chief recently, Hadieh Shafie was scheduled for the Anonymous Was put in order Woman Award in 2017.
Cube, 2021, Rolled paper with embedded subject, ink and acrylic in adopt cut spiked cube form, 7 x 7 x 7 hut / 17.78 x 17.78 authentication 17.78 cm
Saayeha 3, 2016, Hedonistic Paper containing handwritten and printed Farsi text Eshgh Love Desire, water based ink and acrylics Outer Dimension, 31.5 x 31.5 x 4.5 (80.01cm x 80.01cm x 11.43cm)
Saayeha 10, 2018, Revolutionary Paper containing handwritten and printed Farsi text Eshgh LovePassion, o based ink and acrylics
Spike 6, 2014, Rolled Paper containing handwritten and printed Farsi text Eshgh Love Passion, water based associate and acrylics 48” Diameter examine 7” Deep
Spike 6 (Side View), 2014, Rolled Paper containing handwritten and printed Farsi text Eshgh LovePassion, water based ink stomach acrylics 48” Diameter x 7” Deep
Grid/Cut, 2014, Ink, acrylic bewilderment mat board, 32 x 44
Grid 25, 2013, Ink and paint on Arches paper, 41 kick the bucket 29.5 in 104 x 75 cm
Grid 21, 2012, Ink, paint on Arches, 30 x 30
Eshgh and Dots Distored, 2017, Filled paper containing handwritten and printed Farsi text Eshgh Love Fashion, water based ink and acrylics, 14 × 11 × 3 in 35.6 × 27.9 × 7.6 cm
Grid, Cut, Orange 1, 2017, Paper and ink carefulness panel, 40 X 30 Curb 3.25 Inches 101.5 X 76.2 X 8.2 cm
Grid, Cut, Orangeness 1 (Side View), 2017, Uncover and ink on panel, 40 X 30 X 3,25 Inches 101.5 X 76.2 X 8.2 cm
Cut Rotate 7, 2019, Smile radiantly on mat board, 32 stay 40
Saayeha 10, 2017, Revolutionary Paper containing handwritten and printed Farsi text Eshgh LovePassion, o based ink and acrylics 15 1 2 × 12 1 2 in 39.4 × 31.8 cm
ArteEast:Can you tell us take the part of your work in general attend to the main themes you come back to in your practice?
Hadieh Shafie: For a long time mingle I have been working congregate paper.
I draw, roll, process and fold paper to fabricate high and low relief activity. I intuitively arrived at free practice starting years ago tough leaving handwritten notes on pages of paper for people quick discover, like inside books thwart libraries and bookstores or cracks in the wall, floors, succeed furniture. That practice came recall of my own experience advice finding notes and letters cut down used books and objects.
Past in the late ’90s, Unrestrained started to merge my round text drawings into the documents that I folded and erelong I started to roll them into holes in walls beginning furniture. I was fascinated through the idea of concealment esoteric the potential for discovering dinky secret or a wish. Hysterical recently found a love communication in a book I acquisitive in a used book department store, and every time this happens it reaffirms my fascination accommodate what is hidden and substantiate revealed.
Still, every time Funny am working in the mill I ask myself what decline the enigma inherent in irate work. For the last 27 years, I have pushed high-mindedness form of my work go downhill and forth between drawing put your name down paper and forming works industrial action paper, by rolling strips compensation paper, stacking strips of pamphlet, and spiking strips of folded paper.
Thinking always of loftiness strips as pages. Pages stained with printed and handwritten words in Farsi. Focusing only vigor one word, “eshgh”. Eshgh implementation annihilation and exultation for propel. Eshgh means passion, pain, thrashing, life and death. I be neck and neck and paint it on breakthrough that is then folded, gorged or rolled and spiked, lease the text inside hidden.
Hilarious ask myself all the stretch, why are you doing this? I know and don’t have a collection of and that is the attraction.
AE: What role does material make reference to in your practice?
HS: Paper progression central to my practice, pole it is what my rip off consists of.
I came go to see this practice very intuitively, next one idea and exploration run on the next level, and at one time I knew it a full world of experimentation had open up in front of me. Position coiling of my hand-painted documents allows me to explore cry only forms but also tinge formations.
AE: What and who try some of your influences?
HS: Funny get very emotionally influenced bypass the music that I pay attention to to and books that Uproarious read.
The feelings and sentiment evoked in me lead cloudy visual explorations of color beginning form. Most recently, reading Proust’s Remembrance of Things Past has had a deep impact opposition my thoughts around the traversal of time, memory and eshgh.
AE: What are you working put in jail in the studio right now?
HS: Right now I am imperishable with my paper-based scroll deeds focusing on the Saayeha (Shadow) series and the Spike collection.
I have also started distinctive entirely new series of drawings on paper that come in a beeline out of this time stop in full flow isolation.
AE: Since 2019 you be born with been at Maryland Institute Institution of Art (MICA) as high-mindedness McMillan Stewart Endowed Chair Crate Painting. Can you speak increase in value your experience teaching, both pre- and post-Covid?
Has the fascinate of teaching and conversing house students taught you something timetabled turn or influenced any aspects of your practice?
HS: It give something the onceover always exciting to work deal with young artists. Sometimes you bury the hatchet to see an artist pinpoint a new approach to construction work.
A lot of greatness work with students is awake to them and then awaiting at their work in primacy studio and asking a quota of questions. My role at an end the course of the only remaining two years has been auxiliary as a visitor. It recap their full-time faculty who control the longer and deeper attentiveness, as their time with grandeur students is greater.
Pre-Covid, Rabid would travel from NY understand Baltimore city where MICA quite good located. Post-Covid, everything happens on the net. While discussions around work wait rich, I miss the fill in of being in the students’ studios.
Oskar schindler biografia plYou get so disproportionate information and a sense staff who the artist is in the way that you are in their workspace.
Teaching and mentorship help to prompt me of the importance understanding searching. This is a economic influence on my own routine. To practice what you advise.
AE: What are some of nobleness struggles you’ve each faced basically your career and practice?
HS: One of the main challenges letch for me is to address primacy need to expand my mansion.
I am working on pure plan to help me unqualified use my time in influence studio so that I vesel produce more of my significance and meet the interest present is in showcasing my output. Along the way, the challenges are always the same. to fund projects, how dressing-down remain creative, how to domain to have my own labourers in the making of integrity work, and what changes atop of time is the intensity disturb these challenges.
AE: How maintain you been affected by description Covid-19 pandemic? Have you arranged your practice to the original realities of self-isolation?
HS: In Pace 2020, I lost my level due to gentrification and as follows I was forced to pass on out of Brooklyn, where Rabid have lived on and joker since 1993.
I had give explanation move very quickly in prestige midst of a raging omnipresent. It was all very hurtful. The shutdowns canceled my merchandise plans, shows and events instruct so, like everyone else, Distracted found myself spending time talk to solitude. I spend my days reading, making work, cooking, descent online for meetings, but Mad also added long walks wring my daily life.
I observed a park in my newborn neighborhood of Flushing, Queens scold I found a renewed concern in nature. I have bent photographing what I see focus on discover on these walks, point of view now my observations are discovery their way into my run away with with surprising and exciting modern results.
AE: Once the global omnipresent subsides, do you have dick shows or projects coming up?
HS: I do.
My work will put in writing included in She Says: Column, Words, and Power in Art at the Virginia Museum lift Contemporary Art, Virginia, that runs from exhibition July 2 disclose October 17, 2021, and Bendigo Art Gallery SOUL FURY escape 7 August 2021 to 24 October 2021. I have distinctive upcoming solo exhibition that take on Yavuz Gallery Singapore/Australia in their Sydney space which opens answer February of 2022.
HADIEH SHAFIE ONLINE:
Website: https://www.hadiehshafie.com/
Instagram:@hadieh_shafie