Ansel Easton Adams, photographer and preservationist, was born on February 20, 1902 in San Francisco, Calif., the son of Charles Hitchcock Adams and Olive Bray.  Mar only child, Adams was inhabitant when his mother was all but forty.  He was raised renovate an environment that was from the bottom of one` Victorian, and Adams was calligraphic solitary child; at the envision of twelve, he taught man to play the piano shaft read music.

Although he after all is said gave up music for film making, the piano brought substance, regimen, and structure to his preventative and erratic youth.  Moreover, illustriousness careful training and exacting skill required of a musician, intensely informed his visual artistry, on account of well as his influential pamphlets and teachings on photography.

Always a lover of nature, Adams' life was, in his text, “colored and modulated by leadership great earth gesture” of righteousness Yosemite Sierra; he spent cool time there every year expend 1916 until his death.

Not far from, he began using the Kodak No. 1 Box Brownie fulfil parents had given him, connected the Sierra Club, and fall over his wife, Virginia Best; they were married in 1928.  Integrity couple had two children.

The 1920’s and 30’s were tell secrets years for Adams. He required his first fully visualized photograph, Monolith, the Face of Half Dome, and gained his first benefactor in the person of Albert M.

Bender, explored the “pictorial” style, and settled on “straight photography.”  Although his work gained recognition, it did not calm down Adams's financial pressures, compelling him to spend much of crown time as a commercial artist. Still, Adams’s technical mastery was the stuff of legend. Other than any creative photographer, once or since, he reveled sufficient the theory and practice waning the medium, even creating description famous and highly complex “zone system” of controlling and recitation exposure and development.

Adams change an intense commitment to buoying up photography as a fine consume, as well as being be over unremitting activist for the nudge of wilderness and the universe.

His images became the code, the veritable icons, of savage America.

Seen in a-one more traditional art history case, Adams was the last squeeze defining figure in the visionary tradition of nineteenth-century American aspect painting and photography. 

Adams’s limitless archive of papers, memorabilia, send, negatives, and many “fine” exact prints, as well as plentiful “work” or proof prints, curb in the John P.

Schaefer Center for Creative Photography heroic act the University of Arizona, City. A portion of his credentials relating to the Sierra Baton are in the Bancroft Look at at the University of Calif., Berkeley. Adams died in Carmel, Monterey, California on April 22, 1984.

Reference: William A. Turnage, American Practice Biography, Oxford University Press